COLLEGE ART ASSOCIATION MONOGRAPHS 
The College Art Association Monographs began publication in 1944 and concluded in 1999. The series eventually issued 56 volumes with a variety of university presses and scholarly societies, including the Archaeological Institute of America, New York University Press, The Pennsylvania State University Press, and the University of Washington Press. The series published scholars who are among the most influential art historians of our time, and covers the history of art from Classical Antiquity into the early twentieth century, with most concentration in the Western tradition. In partnership with CAA, HEB now offers a range of titles from this distinguished series.
The titles in this series are designated by their series logo.
| Author |
Title |
Date |
| Anderson, Jeffrey C. |
The New York Cruciform Lectionary |
1992 |
| Begley, Wayne E. |
Visnu’s Flaming Wheel: The Iconography of the Sudarsana-cakra |
1974 |
| Berger, Robert W. |
Versailles: The Chateau of Louis XIV |
1985 |
| Berger, Robert W. |
Antoine Le Pautre |
1969 |
| Bier, Lionel |
Sarvistan: A Study in Early Iranian Architecture |
1986 |
| Bolon, Carol R. |
Forms of the Goddess Lajja Gauri in Indian Art |
1992 |
| Brinkerhoff, Dericksen M. |
A Collection of Sculpture in Classical and Early Christian Antioch |
1970 |
| Brown, Blanche R. |
Ptolemaic Paintings and Mosaics and the Alexandrian Style |
1957 |
| Brown, Blanche R. |
Anticlassicism in Greek Sculpture of the Fourth Century B.C. |
1973 |
| Brown, Clifford M. |
Tapestries for the Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522-63 |
1996 |
| Brown, Marilyn |
Degas and the Business of Art: A Cotton Office in New Orleans |
1994 |
| Buettner, Brigitte |
Boccaccio's Des cleres et nobles femmes: Systems of Signification in an Illuminated Manuscript |
1997 |
| Cahn, Walter |
The Romanesque Wooden Doors of Auvergne |
1974 |
| Cambitoglou, Alexander and Trendall, A. D. |
Apulian Red-Figured Vase-Painters of the Plain Style |
1961 |
| Clarke, John R. |
Roman Black-and-White Figural Mosaics |
1979 |
| D'Ancona, Mirella Levi |
The Iconography of the Immaculate Conception in the Middle Ages and Early Renaissance |
1957 |
| Davidson, Bernice F. |
Raphael's Bible: A Study of the Vatican Logge |
1985 |
| Eitner, Lorenz |
The Flabellum of Tournus |
1944 |
| Fehl, Philipp |
The Classical Monument: Reflections on the Connection between Morality and Art in Greek and Roman Sculpture |
1971 |
| Folda, Jaroslav |
The Nazareth Capitals and the Crusader Shrine of the Annunciation |
1986 |
| Gerstel, Sharon E. J. |
Beholding the Sacred Mysteries: Programs of the Byzantine Sanctuary |
1999 |
| Gisolfi, Diana and Sinding-Larsen, Staale |
The Rule, the Bible, and the Council: The Library of the Benedictine Abbey at Praglia |
1988 |
| Hinkle, William M. |
The Portal of the Saints at Reims Cathedral: A Study in Mediaeval Iconography |
1965 |
| Hitchcock, Henry-Russell |
Netherlandish Scrolled Gables of the Sixteenth and Early Seventeenth Centuries |
1978 |
| Holladay, Joan A. |
Illuminating the Epic: The Kassel Willehalm Codex and the Landgraves of Hesse in the Early Fourteenth Century |
1997 |
| Jenkins, Marianna |
The State Portrait |
1947 |
| Johnson, Franklin P. |
The Farwell Collection |
1953 |
| Kantor, Helene J. |
The Aegean and the Orient in the Second Millennium B.C. |
1947 |
| Kirsch, Edith W. |
Five Illuminated Manuscripts of Giangaleazzo Visconti |
1991 |
| Kitao, Timothy K. |
Circle and Oval in the Square of Saint Peter’s: Design and Meaning in Bernini’s Plan |
1974 |
| Lavin, Irving |
Bernini and the Crossing of Saint Peter's
|
1968 |
| Lavin, Irving |
Gianlorenzo Bernini: New Aspects of His Art and Thought |
1985 |
| Lawrence, Marion |
The Sarcophagi of Ravenna |
1945 |
| Lehmann, Phyllis Williams |
Roman Wall Paintings from Boscoreale in the Metropolitan Museum of Art |
1953 |
| Lillich, Meredith P. |
Rainbow Like an Emerald: Stained Glass in Lorraine in the Thirteenth and Early Fourteenth Centuries |
1991 |
| Maguire, Henry |
Earth and Ocean: the Terrestrial World in Early Byzantine Art |
1987 |
| Meiss, Millard |
La Vie de Nostre Benoit Sauveur Ihesucrist and La Saincte Vie de Nostre Dame |
1977 |
| Moir, Alfred |
Caravaggio and His Copyists |
1977 |
| Moskowitz, Anita F. |
Nicola Pisano’s Arca di San Domenico and Its Legacy |
1994 |
| Nelson, Robert S. |
The Iconography of Preface and Miniature in the Byzantine Gospel Book |
1980 |
| O'Gorman, James |
The Architecture of the Monastic Library in Italy, 1300-1600 |
1972 |
| Posner, Kathleen W. |
Leonardo and Central Italian Art, 1515–1550 |
1974 |
| Roebuck, Carl |
Ionian Trade and Colonization |
1959 |
| Roskill, Mark W. |
Dolces Aretino and Venetian Art Theory of the Cinquecento |
1968 |
| Ryberg, Inez S. |
Panel Reliefs of Marcus Aurelius |
1967 |
| Saalman, Howard |
The Church of Santa Trinità in Florence |
1966 |
| Saalman, Howard |
The Bigallo: The Oratory and Residence of the Compagnia del Bigallo e della Misericordia in Florence |
1969 |
| Schapiro, Meyer |
The Parma Ildefonsus: A Romanesque Illuminated Manuscript From Cluny and Related Works |
1964 |
| Schulz, Anne M. |
Nicolò di Giovanni Fiorentino and Venetian Sculpture of the Early Renaissance |
1978 |
| Scobie, Alex |
Hitler's State Architecture: The Impact of Classical Antiquity |
1990 |
| Sherman, Claire R. |
The Portraits of Charles V of France |
1969 |
| Soucek, Priscilla P. |
Content and Context of the Visual Arts in the Islamic World |
1988 |
| Spear, Athena T. |
Brancusi’s Birds |
1969 |
| Spector, Jack J. |
The Murals of Eugène Delacroix at Saint-Sulpice |
1967 |
| Tronzo, William |
The Via Latina Catacomb: Imitation and Discontinuity in Fourth-Century Roman Painting |
1986 |
| Verheyen, Egon |
The Paintings in the Studiolo of Isabella d'Este at Mantua |
1971 |
HEB02.01
rev. 4/19/10
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