Cambridge University Press 
Cambridge University Press has long been regarded as the originator of the academic series and currently publishes more than 1,200 series across all areas of academic and more general interest subjects. HEB presents a range of titles from 11 Cambridge series in its new offerings. These include distinguished lists in Film, Music, Literature and more general cultural studies, assembled by such well-regarded editors as Ray Carney, Horton Andrew, Richard Wagner, Howard Erskine-Hill, and John Richetti.
The titles in this series are designated by their series logo.
Cambridge Film Classics
Cambridge Film Handbooks
Cambridge Music Handbooks
Cambridge Studies in African and Caribbean Literature
Cambridge Studies in American Theatre and Drama
Cambridge Studies in Eighteenth-Century English Literature
Cambridge Studies in Film
Cambridge Studies in Latin American and Iberian Literature
Cambridge Studies in Modern Theatre
Cambridge Studies in Opera
Music in the Twentieth Century
Cambridge Film Classics
Cambridge Film Handbooks
| Author |
Title |
Date |
| Belton, John |
Alfred Hitchcock's Rear Window |
2000 |
| Gottlieb, Sidney |
Roberto Rossellini's Rome Open City |
2004 |
| Grant, Barry Keith |
John Ford's Stagecoach |
2003 |
| Hayes, Kevn J. |
Martin Scorsese's Raging Bull |
2005 |
| Luhr, William G. |
The Coen Brothers' Fargo |
2004 |
| Margolis, Harriet Elaine |
Jane Campion's The Piano |
2000 |
| McDougal, Stuart Y. |
Stanley Kubrick's A Clockwork Orange |
2003 |
| Michaels, Lloyd |
Ingmar Bergman's Persona |
2000 |
| Prince, Stephen |
Sam Peckinpah's The Wild Bunch |
1999 |
| Wills, David |
Jean-Luc Godard's Pierrot le Fou |
2000 |
Cambridge Music Handbooks
| Author |
Title |
Date |
| Burrows, Donald |
Handel: Messiah |
1991 |
| Cook, Nicholas |
Beethoven: Symphony No. 9 |
1993 |
| Drabkin, William |
Beethoven: Missa solemnis |
1991 |
| Fanning, David |
Nielsen: Symphony No. 5 |
1997 |
| Gloag, Kenneth |
Tippett: A Child of Our Time |
1999 |
| Greene Richard |
Holst: The Planets |
1995 |
| Holman, Peter |
Dowland: Lachrimae (1604) |
1999 |
| Jones, Timothy |
Beethoven: The 'Moonlight' and Other Sonatas, Op. 27 and Op. 31 |
1999 |
| Korstvedt, Benjamin M. |
Anton Bruckner: Symphony No. 8 |
2000 |
| Marston, Nicholas |
Schumann: Fantasie, Op. 17 |
1992 |
| Pople, Anthony |
Berg: Violin Concerto |
1991 |
| Rushton, Julian |
Berlioz: Roméo et Juliette |
1994 |
| Sisman, Elaine R. |
Mozart: The 'Jupiter' Symphony: No. 41 in C Major, K. 551 |
1993 |
| Smaczny, Jan |
Dvorák: Cello Concerto |
1999 |
| Williams, Peter |
Bach: The Goldberg Variations |
2001 |
Cambridge Studies in African and Caribbean Literature
Cambridge Studies in American Theatre and Drama
| Author |
Title |
Date |
| Brown, Jared |
The Theatre in America during the Revolution |
1995 |
| Hay, Samuel A. |
African American Theatre: A Historical and Critical Analysis |
1994 |
| Houchin, John H. |
Censorship of the American Theatre in the Twentieth Century |
2003 |
| Murphy, Brenda |
Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television |
1999 |
| Richards, Jeffrey H. |
Drama, Theatre, and Identity in the American New Republic |
2005 |
| Walker, Julia A. |
Expressionism and Modernism in the American Theatre: Bodies, Voices, Words |
2005 |
| Wilmer, S. E. |
Theatre, Society and the Nation: Staging American Identities |
2002 |
Cambridge Studies in Eighteenth-Century English Literature
| Author |
Title |
Date |
| Faller, Lincoln B. |
Crime and Defoe: A New Kind of Writing |
2008 |
| Flynn, Carol Houlihan |
The Body in Swift and Defoe |
1990 |
| Fulford, Tim |
Landscape, Liberty and Authority: Poetry, Criticism and Politics from Thomson to Wordsworth |
1996 |
| Goodridge, John |
Rural Life in Eighteenth-Century English Poetry |
1995 |
| Hawes, Clement |
Mania and Literary Style: The Rhetoric of Enthusiasm from the Ranters to Christopher Smart |
1996 |
| Keymer, Tom |
Richardson's 'Clarissa' and the Eighteenth-Century Reader |
1992 |
| O'Brien, Karen |
Narratives of Enlightenment: Cosmopolitan History from Voltaire to Gibbon |
1997 |
| Phiddian, Robert |
Swift's Parody |
1995 |
| Rivers, Isabel |
Reason, Grace, and Sentiment: A Study of the Language of Religion and Ethics in England, 1660-1780. Vol. 2: Shaftesbury to Hume |
2000 |
| Sitter, John |
Arguments of Augustan Wit |
1991 |
| Walsh, Marcus |
Shakespeare, Milton and Eighteenth-Century Literary Editing: The Beginnings of Interpretive Scholarship |
1997 |
| Zomchick, John P. |
Family and the Law in Eighteenth-Century Fiction: The Private Conscience in the Public Sphere |
2007 |
Cambridge Studies in Film
| Author |
Title |
Date |
| Brill, Lesley |
John Huston's Filmmaking |
1997 |
| Carroll, Noel E. |
Theorizing the Moving Image |
1996 |
| Coates, Paul |
The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror |
1991 |
| Dika, Vera |
Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia |
2003 |
| Horton, Andrew |
Inside Soviet Film Satire: Laughter With a Lash |
1993 |
| Rothman, William |
The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics |
2004 |
| Schneider, Steven Hay |
Horror Film and Psychoanalysis: Freud’s Worst Nightmare |
2004 |
Cambridge Studies in Latin American and Iberian Literature
Cambridge Studies in Modern Theatre
| Author |
Title |
Date |
| Aston, Elaine |
Feminist Views on the English Stage: Women Playwrights, 1990-2000 |
2003 |
| Bigsby, Christopher |
Neil LaBute: Stage and Cinema |
2007 |
| Boltwood, Scott |
Brian Friel, Ireland, and The North |
2007 |
| Griffin, Gabriele |
Contemporary Black and Asian Women Playwrights in Britain |
2003 |
| Luckhurst, Mary |
Dramaturgy: A Revolution in Theatre |
2006 |
| Patterson, Michael |
Strategies of Political Theatre: Post-War British Playwrights |
2003 |
| Roberts, Philip |
The Royal Court Theatre and the Modern Stage |
1999 |
Cambridge Studies in Opera
Music in the Twentieth Century
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