Cambridge University Press 
Cambridge University Press has long been regarded as the originator of the academic series and currently publishes more than 1,200 series across all areas of academic and more general interest subjects. HEB presents a range of titles from 13 Cambridge series in its new offerings. These include distinguished lists in Film, Music, Literature and more general cultural studies, assembled by such well-regarded editors as Ray Carney, Horton Andrew, Richard Wagner, Howard Erskine-Hill, and John Richetti.
The titles in these series are designated by their series logo.
Cambridge Film Classics
Cambridge Film Handbooks
Cambridge Musical Texts and Monographs
Cambridge Music Handbooks
Cambridge Studies in African and Caribbean Literature
Cambridge Studies in American Theatre and Drama
Cambridge Studies in Eighteenth-Century English Literature
Cambridge Studies in Film
Cambridge Studies in Latin American and Iberian Literature
Cambridge Studies in Modern Theatre
Cambridge Studies in Music
Cambridge Studies in Opera
Music in the Twentieth Century
Cambridge Film Classics
Cambridge Film Handbooks
| Author |
Title |
Date |
| Belton, John |
Alfred Hitchcock's Rear Window |
2000 |
| Desser, David |
Ozu's Tokyo Story |
1997 |
| Gottlieb, Sidney |
Roberto Rossellini's Rome Open City |
2004 |
| Grant, Barry Keith |
John Ford's Stagecoach |
2003 |
| Hayes, Kevn J. |
Martin Scorsese's Raging Bull |
2005 |
| Luhr, William G. |
The Coen Brothers' Fargo |
2004 |
| Margolis, Harriet Elaine |
Jane Campion's The Piano |
2000 |
| McDougal, Stuart Y. |
Stanley Kubrick's A Clockwork Orange |
2003 |
| Michaels, Lloyd |
Ingmar Bergman's Persona |
2000 |
| Prince, Stephen |
Sam Peckinpah's The Wild Bunch |
1999 |
| Wills, David |
Jean-Luc Godard's Pierrot le Fou |
2000 |
Cambridge Musical Texts and Monographs
Cambridge Music Handbooks
| Author |
Title |
Date |
| Block, Geoffrey |
Ives: Concord Sonata |
1996 |
| Burrows, Donald |
Handel: Messiah |
1991 |
| Cook, Nicholas |
Beethoven: Symphony No. 9 |
1993 |
| Cooper, David |
Bartók: Concerto for Orchestra |
1996 |
| Drabkin, William |
Beethoven: Missa solemnis |
1991 |
| Fanning, David |
Nielsen: Symphony No. 5 |
1997 |
| Gloag, Kenneth |
Tippett: A Child of Our Time |
1999 |
| Greene Richard |
Holst: The Planets |
1995 |
| Holman, Peter |
Dowland: Lachrimae (1604) |
1999 |
| Irving, John |
Mozart: The “Haydn” Quartets |
1998 |
| Jones, Timothy |
Beethoven: The 'Moonlight' and Other Sonatas, Op. 27 and Op. 31 |
1999 |
| Korstvedt, Benjamin M. |
Anton Bruckner: Symphony No. 8 |
2000 |
| Marston, Nicholas |
Schumann: Fantasie, Op. 17 |
1992 |
| Pople, Anthony |
Berg: Violin Concerto |
1991 |
| Rosen, David |
Verdi: Requiem |
1995 |
| Rushton, Julian |
Berlioz: RomČo et Juliette |
1994 |
| Rushton, Julian |
Elgar: Enigma Variations |
1999 |
| Sisman, Elaine R. |
Mozart: The 'Jupiter' Symphony: No. 41 in C Major, K. 551 |
1993 |
| Smaczny, Jan |
Dvor·k: Cello Concerto |
1999 |
| Stowell, Robin |
Beethoven: Violin Concerto |
1998 |
| Walsh, Stephen |
Stravinsky: Oedipus Rex |
1993 |
| Williams, Peter |
Bach: The Goldberg Variations |
2001 |
| Williamson, John |
Strauss: Also sprach Zarathustra |
1993 |
Cambridge Studies in African and Caribbean Literature
Cambridge Studies in American Theatre and Drama
| Author |
Title |
Date |
| Brown, Jared |
The Theatre in America during the Revolution |
1995 |
| Hay, Samuel A. |
African American Theatre: A Historical and Critical Analysis |
1994 |
| Houchin, John H. |
Censorship of the American Theatre in the Twentieth Century |
2003 |
| Murphy, Brenda |
Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television |
1999 |
| Richards, Jeffrey H. |
Drama, Theatre, and Identity in the American New Republic |
2005 |
| Walker, Julia A. |
Expressionism and Modernism in the American Theatre: Bodies, Voices, Words |
2005 |
| Wilmer, S. E. |
Theatre, Society and the Nation: Staging American Identities |
2002 |
Cambridge Studies in Eighteenth-Century English Literature
| Author |
Title |
Date |
| Faller, Lincoln B. |
Crime and Defoe: A New Kind of Writing |
2008 |
| Flynn, Carol Houlihan |
The Body in Swift and Defoe |
1990 |
| Fulford, Tim |
Landscape, Liberty and Authority: Poetry, Criticism and Politics from Thomson to Wordsworth |
1996 |
| Goodridge, John |
Rural Life in Eighteenth-Century English Poetry |
1995 |
| Hawes, Clement |
Mania and Literary Style: The Rhetoric of Enthusiasm from the Ranters to Christopher Smart |
1996 |
| Higgins, Ian |
Swift's Politics: A Study in Disaffectio |
1994 |
| Keymer, Tom |
Richardson's 'Clarissa' and the Eighteenth-Century Reader |
1992 |
| Mayer, Robert |
History and the Early English Novel: Matters of Fact from Bacon to Defoe |
1997 |
| O'Brien, Karen |
Narratives of Enlightenment: Cosmopolitan History from Voltaire to Gibbon |
1997 |
| Phiddian, Robert |
Swift's Parody |
1995 |
| Pittock, Murray |
Poetry and Jacobite Politics in Eighteenth-Century Britain and Ireland |
1994 |
| Rivers, Isabel |
Reason, Grace, and Sentiment: A Study of the Language of Religion and Ethics in England, 1660-1780. Vol. 2: Shaftesbury to Hume |
2000 |
| Schonhorn, Manuel |
Defoe's Politics: Parliament, Power, Kingship and “Robinson Crusoe” |
1991 |
| Sitter, John |
Arguments of Augustan Wit |
1991 |
| Walker, William |
Locke, Literary Criticism, and Philosophy |
1994 |
| Walsh, Marcus |
Shakespeare, Milton and Eighteenth-Century Literary Editing: The Beginnings of Interpretive Scholarship |
1997 |
| Zomchick, John P. |
Family and the Law in Eighteenth-Century Fiction: The Private Conscience in the Public Sphere |
2007 |
Cambridge Studies in Film
| Author |
Title |
Date |
| Brill, Lesley |
John Huston's Filmmaking |
1997 |
| Carroll, Noel E. |
Theorizing the Moving Image |
1996 |
| Coates, Paul |
The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror |
1991 |
| Dika, Vera |
Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia |
2003 |
| Horton, Andrew |
Inside Soviet Film Satire: Laughter With a Lash |
1993 |
| Rothman, William |
The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics |
2004 |
| Schneider, Steven Hay |
Horror Film and Psychoanalysis: Freudís Worst Nightmare |
2004 |
Cambridge Studies in Latin American and Iberian Literature
Cambridge Studies in Modern Theatre
| Author |
Title |
Date |
| Aston, Elaine |
Feminist Views on the English Stage: Women Playwrights, 1990-2000 |
2003 |
| Bigsby, Christopher |
Neil LaBute: Stage and Cinema |
2007 |
| Boltwood, Scott |
Brian Friel, Ireland, and The North |
2007 |
| Boon, Richard |
Theatre and Empowerment: Community Drama on the World Stage |
2004 |
| Grene, Nicholas |
The Politics of Irish Drama: Plays in Context from Boucicault to Friel |
1999 |
| Griffin, Gabriele |
Contemporary Black and Asian Women Playwrights in Britain |
2003 |
| Luckhurst, Mary |
Dramaturgy: A Revolution in Theatre |
2006 |
| Patterson, Michael |
Strategies of Political Theatre: Post-War British Playwrights |
2003 |
| Roberts, Philip |
The Royal Court Theatre and the Modern Stage |
1999 |
Cambridge Studies in Music
Cambridge Studies in Opera
| Author |
Title |
Date |
| Goehring, Edmund Joseph |
Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in CosĎ fan tutte |
2004 |
| Johnson, Victoria, Fulcher, Jane F. and Thomas Ertman |
Opera and Society in Italy and France from Monteverdi to Bourdieu |
2007 |
| Warrack, John |
German Opera: From the Beginnings to Wagner |
2001 |
| Wilson, Alexandra |
The Puccini Problem: Opera, Nationalism, and Modernity |
2007 |
| Woodfield, Ian |
Opera and Drama in Eighteenth-Century London: The Kingís Theatre, Garrick and the Business of Performance |
2001 |
Music in the Twentieth Century
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