Cambridge University Press has long been regarded as the originator of the academic series and currently publishes more than 1,200 series across all areas of academic and more general interest subjects. HEB presents a range of titles from 13 Cambridge series in its new offerings. These include distinguished lists in Film, Music, Literature and more general cultural studies, assembled by such well-regarded editors as Ray Carney, Horton Andrew, Richard Wagner, Howard Erskine-Hill, and John Richetti.
The titles in these series are designated by their series logo. 
Cambridge Film Classics
Cambridge Film Handbooks
Cambridge Musical Texts and Monographs
Cambridge Music Handbooks
Cambridge Russian, Soviet and Post-Soviet Studies
Cambridge Studies in African and Caribbean Literature
Cambridge Studies in American Theatre and Drama
Cambridge Studies in Eighteenth-Century English Literature
Cambridge Studies in Film
Cambridge Studies in Latin American and Iberian Literature
Cambridge Studies in Modern Theatre
Cambridge Studies in Music
Cambridge Studies in Opera
Music in the Twentieth Century
Cambridge Film Classics
| Author | Title | Date |
|---|---|---|
| Bondanella, Peter E. | The Films of Federico Fellini | 2002 |
| Brunette, Peter | The Films of Michelangelo Antonioni | 1998 |
| Carney, Ray and Quart, Leonard | The Films of Mike Leigh: Embracing the World | 2002 |
| Girgus, Sam B. | The Films of Woody Allen | 2002 |
| Kalin, Jesse | The Films of Ingmar Bergman | 2003 |
| Palmer, James | The Films of Joseph Losey | 1993 |
| Yacowar, Maurice | The Films of Paul Morrissey | 1993 |
Cambridge Film Handbooks
| Author | Title | Date |
|---|---|---|
| Belton, John | Alfred Hitchcock's Rear Window | 2000 |
| Desser, David | Ozu's Tokyo Story | 1997 |
| Gottlieb, Sidney | Roberto Rossellini's Rome Open City | 2004 |
| Grant, Barry Keith | John Ford's Stagecoach | 2003 |
| Hayes, Kevn J. | Martin Scorsese's Raging Bull | 2005 |
| Luhr, William G. | The Coen Brothers' Fargo | 2004 |
| Margolis, Harriet Elaine | Jane Campion's The Piano | 2000 |
| McDougal, Stuart Y. | Stanley Kubrick's A Clockwork Orange | 2003 |
| Michaels, Lloyd | Ingmar Bergman's Persona | 2000 |
| Prince, Stephen | Sam Peckinpah's The Wild Bunch | 1999 |
| Wills, David | Jean-Luc Godard's Pierrot le Fou | 2000 |
Cambridge Musical Texts and Monographs
| Author | Title | Date |
|---|---|---|
| Agricola, Johann | Introduction to the Art of Singing | 1995 |
| Hiller, Johann Adam | Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller | 2001 |
| Macdonald, Hugh | Berlioz's Orchestration Treatise: A Translation and Commentary | 2002 |
| Virdung, Sebastian | Musica Getutscht: A Treatise on Musical Instruments (1511) | 1993 |
Cambridge Musical Handbooks
Cambridge Russian, Soviet and Post-Soviet Studies
| Author | Title | Date |
|---|---|---|
| Goldman, Wendy | Women, the State and Revolution: Soviet Family Policy and Social Life, 1917-1936 | 1993 |
| Harrison, Mark | Soviet Planning in Peace and War, 1938-1945 | 1985 |
| Siegelbaum, Lewis H. | Stakhanovism and the Politics of Productivity in the USSR, 1935-1941 | 1988 |
| Smith, S. A. | Red Petrograd: Revolution in the Factories, 1917-18 | 1983 |
Cambridge Studies in African and Caribbean Literature
| Author | Title | Date |
|---|---|---|
| Baugh, Edward | Derek Walcott | 2006 |
| Dash, J. Michael | Edouard Glissant | 1995 |
| Davis, Gregson | Aimé Césaire | 1997 |
| Gikandi, Simon | Ngugi wa Thiong'o | 2000 |
| Innes, Catherine Lynnette | Chinua Achebe | 1990 |
| Jeyifo, Biodun | Wole Soyinka: Politics, Poetics and Postcolonialism | 2004 |
| Mustafa, Fawzia | V. S. Naipaul | 1995 |
| Savory, Elaine | Jean Rhys | 1998 |
Cambridge Studies in American Theatre and Drama
| Author | Title | Date |
|---|---|---|
| Brown, Jared | The Theatre in America during the Revolution | 1995 |
| Hay, Samuel A. | African American Theatre: A Historical and Critical Analysis | 1994 |
| Houchin, John H. | Censorship of the American Theatre in the Twentieth Century | 2003 |
| Murphy, Brenda | Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television | 1999 |
| Richards, Jeffrey H. | Drama, Theatre, and Identity in the American New Republic | 2005 |
| Walker, Julia A. | Expressionism and Modernism in the American Theatre: Bodies, Voices, Words | 2005 |
| Wilmer, S. E. | Theatre, Society and the Nation: Staging American Identities | 2002 |
Cambridge Studies in Eighteenth-Century English Literature
Cambridge Studies in Film
| Author | Title | Date |
|---|---|---|
| Brill, Lesley | John Huston's Filmmaking | 1997 |
| Carroll, Noel E. | Theorizing the Moving Image | 1996 |
| Coates, Paul | The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror | 1991 |
| Dika, Vera | Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia | 2003 |
| Horton, Andrew | Inside Soviet Film Satire: Laughter With a Lash | 1993 |
| Rothman, William | The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics | 2004 |
| Schneider, Steven Hay | Horror Film and Psychoanalysis: Freudís Worst Nightmare | 2004 |
Cambridge Studies in Latin American and Iberian Literature
| Author | Title | Date |
|---|---|---|
| Aching, Gerard | The Politics of Spanish American “Modernismo”: By Exquisite Design | 1997 |
| Alonso, Carlos J. | The Spanish American Regional Novel: Modernity and Autochthony | 1990 |
| Echevarría, Roberto | Myth and Archive: A Theory of Latin American Narrative | 1990 |
| Flitter, Derek | Spanish Romantic Literary Theory and Criticism | 1992 |
| González, Anibel | Journalism and the Development of Spanish American Narrative | 1993 |
| Molloy, Sylvia | At Face Value: Autobiographical Writing in Spanish America | 1991 |
| Prieto, Rene | Miguel Angel Asturias's Archeology of Return | 1993 |
| Ross, Kathleen | The Baroque Narrative of Carlos de Sigüenza y Góngora: A New World Paradise | 1993 |
| Solomon, Michael | The Literature of Misogyny in Medieval Spain: The Archipreste de Talavera and the Spill | 1997 |
Cambridge Studies in Modern Theatre
| Author | Title | Date |
|---|---|---|
| Aston, Elaine | Feminist Views on the English Stage: Women Playwrights, 1990-2000 | 2003 |
| Bigsby, Christopher | Neil LaBute: Stage and Cinema | 2007 |
| Boltwood, Scott | Brian Friel, Ireland, and The North | 2007 |
| Boon, Richard | Theatre and Empowerment: Community Drama on the World Stage | 2004 |
| Grene, Nicholas | The Politics of Irish Drama: Plays in Context from Boucicault to Friel | 1999 |
| Griffin, Gabriele | Contemporary Black and Asian Women Playwrights in Britain | 2003 |
| Luckhurst, Mary | Dramaturgy: A Revolution in Theatre | 2006 |
| Patterson, Michael | Strategies of Political Theatre: Post-War British Playwrights | 2003 |
| Roberts, Philip | The Royal Court Theatre and the Modern Stage | 1999 |
Cambridge Studies in Music
| Author | Title | Date |
|---|---|---|
| Fenlon, Iain | Music and Patronage in Sixteenth-Century Mantua, Vol. 2 | 1982 |
| Kopp, David | Chromatic Transformations in Nineteenth-Century Music | 2002 |
| Snarrenberg, Robert | Schenker's Interpretive Practice | 1997 |
Cambridge Studies in Opera
| Author | Title | Date |
|---|---|---|
| Goehring, Edmund Joseph | Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in CosÏ fan tutte | 2004 |
| Johnson, Victoria, Fulcher, Jane F. and Thomas Ertman | Opera and Society in Italy and France from Monteverdi to Bourdieu | 2007 |
| Warrack, John | German Opera: From the Beginnings to Wagner | 2001 |
| Wilson, Alexandra | The Puccini Problem: Opera, Nationalism, and Modernity | 2007 |
| Woodfield, Ian | Opera and Drama in Eighteenth-Century London: The Kingís Theatre, Garrick and the Business of Performance | 2001 |
Music in the Twentieth Century
| Author | Title | Date |
|---|---|---|
| Bailey, Kathryn | The Twelve-Note Music of Anton Webern: Old Forms in a New Language | 1991 |
| Burt, Peter | The Music of Toru Takemitsu | 2001 |
| Caballero, Carlo | FaurÈ and French Musical Aesthetics | 2003 |
| Cherlin, Michael | Schoenberg's Musical Imagination | 2007 |
| Clarke, David | The Music and Thought of Michael Tippett: Modern Times and Metaphysics | 2001 |
| Everett, Yayoi Uno | The Music of Louis Andriessen | 2006 |
| Rupprecht, Philip | Britten's Musical Language | 2001 |